According to Pseudo-Dionysius, symbols serve to identify the infinite in the finite. The article discusses the symbolism of the temple, icons, salary, colors, the concept of inspired singing, as well as changes in the Russian temple art in the XVII century.
Keywords
symbols of the world of superbeing; basman's salaries; canon of color; inspired singing; russian non-linear notation; «very sensible»; internal – external opposition; aesthetics «variegation»; «musikiah spiritual».